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SoBrief
Searching...
The Emotional Craft of Fiction
by Donald Maass • 2016
Move past showing versus telling: design a story that gives readers their own emotional journey.
4.25
3k+
The Emotional Craft of Fiction Summary
The Emotional Craft of Fiction 90%
Move past showing versus telling: design a story that gives readers their own emotional journey.
by Donald Maass 2016
4.25
3k+ ratings
Crafting Short Screenplays That Connect
by Claudia Hunter Johnson • 2000
Conflict isn't enough for short screenplays. Find resonant moments in your own life.
3.91
150
Crafting Short Screenplays That Connect Summary
Crafting Short Screenplays That Connect 90%
Conflict isn't enough for short screenplays. Find resonant moments in your own life.
by Claudia Hunter Johnson 2000
3.91
150 ratings
Writing for Emotional Impact
by Karl Iglesias • 2005
Only ink on the page. Emotional techniques for making a script reader feel what movie would.
4.27
710
Writing for Emotional Impact Summary
Writing for Emotional Impact 90%
Only ink on the page. Emotional techniques for making a script reader feel what movie would.
by Karl Iglesias 2005
4.27
710 ratings
How to Write Dazzling Dialogue
by James Scott Bell • 2014
Your manuscript lives or dies by dialogue. The craft rules for making every exchange count.
4.17
2k+
How to Write Dazzling Dialogue Summary
How to Write Dazzling Dialogue 90%
Your manuscript lives or dies by dialogue. The craft rules for making every exchange count.
by James Scott Bell 2014
4.17
2k+ ratings
Invisible Ink
by Brian McDonald • 2010
Forget formulas: the deep craft of story is a hidden framework of theme, pain, and dramatic irony.
4.38
2k+
Invisible Ink Summary
Invisible Ink 90%
Forget formulas: the deep craft of story is a hidden framework of theme, pain, and dramatic irony.
by Brian McDonald 2010
4.38
2k+ ratings
The Art of Intimacy
by Stacey D'Erasmo • 2013
Fiction's real intimacy lives in the subjunctive, the white space, and the shared glance.
3.93
248
The Art of Intimacy Summary
The Art of Intimacy 90%
Fiction's real intimacy lives in the subjunctive, the white space, and the shared glance.
by Stacey D'Erasmo 2013
3.93
248 ratings
Dialogue
by Robert McKee • 2016
Your dialogue problem is really a scene problem. The fix starts underneath the words.
4.32
2k+
Dialogue Summary
Dialogue 89%
Your dialogue problem is really a scene problem. The fix starts underneath the words.
by Robert McKee 2016
4.32
2k+ ratings
Now Write! Screenwriting
by Sherry Ellis • 2010
Screenwriting taught by doing: exercises from working writers that build what theory only describes.
4.09
116
Now Write! Screenwriting Summary
Now Write! Screenwriting 89%
Screenwriting taught by doing: exercises from working writers that build what theory only describes.
by Sherry Ellis 2010
4.09
116 ratings
Story
by Robert McKee • 1997
How to design the moments where expectations collide with reality and everything flips.
4.27
18k+
Story Summary
Story 89%
How to design the moments where expectations collide with reality and everything flips.
by Robert McKee 1997
4.27
18k+ ratings
The Art of Nonfiction
by Ayn Rand • 2001
Skip the mystique: nonfiction writing is a system, and the outline is its non-negotiable start.
3.98
537
The Art of Nonfiction Summary
The Art of Nonfiction 89%
Skip the mystique: nonfiction writing is a system, and the outline is its non-negotiable start.
by Ayn Rand 2001
3.98
537 ratings
Techniques of the Selling Writer
by Dwight V. Swain • 1965
Master the rhythm of conflict and emotional reaction that makes any story impossible to put down.
4.33
2k+
Techniques of the Selling Writer Summary
Techniques of the Selling Writer 89%
Master the rhythm of conflict and emotional reaction that makes any story impossible to put down.
by Dwight V. Swain 1965
4.33
2k+ ratings
This Year You Write Your Novel
by Walter Mosley • 2007
Your unconscious writes the story. Give it ninety minutes a day and stop censoring.
3.81
2k+
This Year You Write Your Novel Summary
This Year You Write Your Novel 88%
Your unconscious writes the story. Give it ninety minutes a day and stop censoring.
by Walter Mosley 2007
3.81
2k+ ratings
The Art of Character
by David Corbett • 2013
The five things every unforgettable character has, and why questionnaires will never uncover them.
4.25
681
The Art of Character Summary
The Art of Character 88%
The five things every unforgettable character has, and why questionnaires will never uncover them.
by David Corbett 2013
4.25
681 ratings
Several Short Sentences About Writing
by Verlyn Klinkenborg • 2012
Writing isn't about flow or formulas; it's about one clear sentence, then another.
4.13
4k+
Several Short Sentences About Writing Summary
Several Short Sentences About Writing 88%
Writing isn't about flow or formulas; it's about one clear sentence, then another.
by Verlyn Klinkenborg 2012
4.13
4k+ ratings
Dialogism
by Michael Holquist • 1990
All speech answers prior speech, all selves depend on others: the dialogic philosophy of Bakhtin.
4.09
88
Dialogism Summary
Dialogism 88%
All speech answers prior speech, all selves depend on others: the dialogic philosophy of Bakhtin.
by Michael Holquist 1990
4.09
88 ratings
Description
by Monica Wood • 1995
Description isn't decoration: the craft of building a world readers can see, hear, and feel.
4.06
610
Description Summary
Description 88%
Description isn't decoration: the craft of building a world readers can see, hear, and feel.
by Monica Wood 1995
4.06
610 ratings
The Emotion Thesaurus
by Angela Ackerman • 2012
Emotion drives story. This reference replaces clichéd sighs and shrugs with hundreds of body cues.
4.53
6k+
The Emotion Thesaurus Summary
The Emotion Thesaurus 88%
Emotion drives story. This reference replaces clichéd sighs and shrugs with hundreds of body cues.
by Angela Ackerman 2012
4.53
6k+ ratings
Story Engineering
by Larry Brooks • 2011
Six storytelling skills and a four-part map that transform an idea into a novel that works.
4.10
3k+
Story Engineering Summary
Story Engineering 88%
Six storytelling skills and a four-part map that transform an idea into a novel that works.
by Larry Brooks 2011
4.10
3k+ ratings
The Secret Life of Pronouns
by James W. Pennebaker • 2011
Your pronouns betray who you are: your status, your emotions, even whether you're lying.
3.67
3k+
The Secret Life of Pronouns Summary
The Secret Life of Pronouns 88%
Your pronouns betray who you are: your status, your emotions, even whether you're lying.
by James W. Pennebaker 2011
3.67
3k+ ratings
Word Painting
by Rebecca McClanahan • 2014
Most writing advice says 'show, don't tell.' This one teaches you how, sense by sense.
4.13
816
Word Painting Summary
Word Painting 88%
Most writing advice says 'show, don't tell.' This one teaches you how, sense by sense.
by Rebecca McClanahan 2014
4.13
816 ratings
The Art of Subtext
by Charles Baxter • 2007
What a character won't say, can't hear, and can't admit: the hidden engine of unforgettable fiction.
4.02
1k+
The Art of Subtext Summary
The Art of Subtext 88%
What a character won't say, can't hear, and can't admit: the hidden engine of unforgettable fiction.
by Charles Baxter 2007
4.02
1k+ ratings
Dynamic Characters
by Nancy Kress • 1998
Before you outline another scene, ask what your character fears. The answer is your plot.
4.09
562
Dynamic Characters Summary
Dynamic Characters 88%
Before you outline another scene, ask what your character fears. The answer is your plot.
by Nancy Kress 1998
4.09
562 ratings
Making a Good Script Great
by Linda Seger • 1987
Script doctor's toolkit: structure fixes, subplot craft, and momentum rules that sell a screenplay.
3.88
1k+
Making a Good Script Great Summary
Making a Good Script Great 88%
Script doctor's toolkit: structure fixes, subplot craft, and momentum rules that sell a screenplay.
by Linda Seger 1987
3.88
1k+ ratings
Make a Scene
by Jordan Rosenfeld • 2007
A novel lives or dies scene by scene. A blueprint for making every moment count.
4.07
1k+
Make a Scene Summary
Make a Scene 88%
A novel lives or dies scene by scene. A blueprint for making every moment count.
by Jordan Rosenfeld 2007
4.07
1k+ ratings
Memo from the Story Department
by Christopher Vogler • 2011
How myths, archetypes, and vaudeville timing built the architecture of every great screenplay.
4.16
171
Memo from the Story Department Summary
Memo from the Story Department 88%
How myths, archetypes, and vaudeville timing built the architecture of every great screenplay.
by Christopher Vogler 2011
4.16
171 ratings
Wordcraft
by Jack R. Hart • 2021
Writing isn't magic. A step-by-step method for clear, powerful prose, from idea to final polish.
4.13
107
Wordcraft Summary
Wordcraft 88%
Writing isn't magic. A step-by-step method for clear, powerful prose, from idea to final polish.
by Jack R. Hart 2021
4.13
107 ratings
Screenwriting Is Filmmaking
by Brian Dunnigan • 2020
Write screenplays that think like a camera: the craft of making films from the page up.
3.33
3
Screenwriting Is Filmmaking Summary
Screenwriting Is Filmmaking 88%
Write screenplays that think like a camera: the craft of making films from the page up.
by Brian Dunnigan 2020
3.33
3 ratings
Writing to Learn
by William Zinsser • 1988
Writing's real job is not transmission; it is discovery. How to think on paper.
3.81
2k+
Writing to Learn Summary
Writing to Learn 88%
Writing's real job is not transmission; it is discovery. How to think on paper.
by William Zinsser 1988
3.81
2k+ ratings
Action
by Robert McKee • 2022
Excitement on page and screen has rules. The villain’s scheme, not the spectacle, is its engine.
4.29
126
Action Summary
Action 88%
Excitement on page and screen has rules. The villain’s scheme, not the spectacle, is its engine.
by Robert McKee 2022
4.29
126 ratings
The Anatomy of Story
by John Truby • 2007
The organic alternative to formula: how character, plot, and theme grow from a single premise's DNA.
4.25
7k+
The Anatomy of Story Summary
The Anatomy of Story 88%
The organic alternative to formula: how character, plot, and theme grow from a single premise's DNA.
by John Truby 2007
4.25
7k+ ratings
Creating Characters
by Dwight V. Swain • 1990
Characters are built, not found. The nuts-and-bolts system for creating people readers believe in.
3.92
240
Creating Characters Summary
Creating Characters 88%
Characters are built, not found. The nuts-and-bolts system for creating people readers believe in.
by Dwight V. Swain 1990
3.92
240 ratings
Write to the Point How to be Clear, Correct and Persuasive on the Page
by Sam Leith • 2017
From Aristotle to email, the sentence craft that makes readers absorb ideas before they can resist.
3.73
195
Write to the Point How to be Clear, Correct and Persuasive on the Page Summary
Write to the Point How to be Clear, Correct and Persuasive on the Page 88%
From Aristotle to email, the sentence craft that makes readers absorb ideas before they can resist.
by Sam Leith 2017
3.73
195 ratings
Dialogue
by Gloria Kempton • 2004
Stilted dialogue comes from writing it, not channeling it. Make characters speak for themselves.
3.97
1k+
Dialogue Summary
Dialogue 88%
Stilted dialogue comes from writing it, not channeling it. Make characters speak for themselves.
by Gloria Kempton 2004
3.97
1k+ ratings
Nicely Said
by Nicole Fenton • 2014
Your website has a voice. The rules for making it helpful, clear, and worth reading.
4.11
554
Nicely Said Summary
Nicely Said 88%
Your website has a voice. The rules for making it helpful, clear, and worth reading.
by Nicole Fenton 2014
4.11
554 ratings
How to Write Clearly
by Tom Albrighton • 2021
Your writing isn't clear unless your reader says so. The reader-psychology method that works.
4.29
112
How to Write Clearly Summary
How to Write Clearly 88%
Your writing isn't clear unless your reader says so. The reader-psychology method that works.
by Tom Albrighton 2021
4.29
112 ratings
The 38 Most Common Fiction Writing Mistakes
by Jack M. Bickham • 1992
Thirty-eight mistakes that mark your fiction as amateur, and how to fix every single one.
3.78
1k+
The 38 Most Common Fiction Writing Mistakes Summary
The 38 Most Common Fiction Writing Mistakes 88%
Thirty-eight mistakes that mark your fiction as amateur, and how to fix every single one.
by Jack M. Bickham 1992
3.78
1k+ ratings
Description & Setting
by Ron Rozelle • 2005
Harvest details. Deploy the senses. Make setting an engine for character, mood, and plot.
4.02
954
Description & Setting Summary
Description & Setting 88%
Harvest details. Deploy the senses. Make setting an engine for character, mood, and plot.
by Ron Rozelle 2005
4.02
954 ratings
Your Creative Writing Masterclass
by Jürgen Wolff • 2012
A hundred great novelists teach you fiction's craft secrets, from character to voice.
3.88
182
Your Creative Writing Masterclass Summary
Your Creative Writing Masterclass 88%
A hundred great novelists teach you fiction's craft secrets, from character to voice.
by Jürgen Wolff 2012
3.88
182 ratings
Crafty Screenwriting
by Alex Epstein • 2002
Write the hook they can't forget and the package they can't resist: the rules of screenwriting.
3.85
120
Crafty Screenwriting Summary
Crafty Screenwriting 88%
Write the hook they can't forget and the package they can't resist: the rules of screenwriting.
by Alex Epstein 2002
3.85
120 ratings
The Art Of Creative Writing
by Lajos Egri • 1995
Unforgettable fiction starts with a character too insecure to walk away from their opposite.
3.67
355
The Art Of Creative Writing Summary
The Art Of Creative Writing 88%
Unforgettable fiction starts with a character too insecure to walk away from their opposite.
by Lajos Egri 1995
3.67
355 ratings
Million Dollar Outlines
by David Farland • 2013
An outlining method that pressure-tests your plot, designed to sell a novel on proposal.
4.16
844
Million Dollar Outlines Summary
Million Dollar Outlines 88%
An outlining method that pressure-tests your plot, designed to sell a novel on proposal.
by David Farland 2013
4.16
844 ratings
Characters, Emotion & Viewpoint
by Nancy Kress • 2005
Viewpoint controls what your readers know, who they root for, and what the story finally means.
4.05
2k+
Characters, Emotion & Viewpoint Summary
Characters, Emotion & Viewpoint 88%
Viewpoint controls what your readers know, who they root for, and what the story finally means.
by Nancy Kress 2005
4.05
2k+ ratings
The Story Solution
by Eric Edson • 2012
The 23-step structural blueprint that turns a screenplay into an emotional ride.
4.32
222
The Story Solution Summary
The Story Solution 88%
The 23-step structural blueprint that turns a screenplay into an emotional ride.
by Eric Edson 2012
4.32
222 ratings
Screenplay
by Syd Field • 1979
The structural template that turned screenwriting into a learnable craft, from setup to final draft.
3.99
9k+
Screenplay Summary
Screenplay 88%
The structural template that turned screenwriting into a learnable craft, from setup to final draft.
by Syd Field 1979
3.99
9k+ ratings
A Swim in a Pond in the Rain
by George Saunders • 2021
Seven Russian classics, read one line at a time, reveal the hidden machinery of great fiction.
4.53
26k+
A Swim in a Pond in the Rain Summary
A Swim in a Pond in the Rain 88%
Seven Russian classics, read one line at a time, reveal the hidden machinery of great fiction.
by George Saunders 2021
4.53
26k+ ratings
Story Genius
by Lisa Cron • 2016
Your reader's brain is wired for story. The neuroscience for building a novel that actually grips.
4.19
7k+
Story Genius Summary
Story Genius 88%
Your reader's brain is wired for story. The neuroscience for building a novel that actually grips.
by Lisa Cron 2016
4.19
7k+ ratings
The Art of X-Ray Reading
by Roy Peter Clark • 2016
How to read a novel and come away with a toolbox, not just a story.
4.04
1k+
The Art of X-Ray Reading Summary
The Art of X-Ray Reading 88%
How to read a novel and come away with a toolbox, not just a story.
by Roy Peter Clark 2016
4.04
1k+ ratings
On Writing Horror
by Mort Castle • 1997
What makes readers afraid: the complete craft of horror writing, from first draft to small press.
3.87
1k+
On Writing Horror Summary
On Writing Horror 88%
What makes readers afraid: the complete craft of horror writing, from first draft to small press.
by Mort Castle 1997
3.87
1k+ ratings
Crafting Novels & Short Stories
by The Writer's Digest • 2011
Character, plot, prose, and revision: the craft kit every fiction writer returns to.
3.89
373
Crafting Novels & Short Stories Summary
Crafting Novels & Short Stories 88%
Character, plot, prose, and revision: the craft kit every fiction writer returns to.
by The Writer's Digest 2011
3.89
373 ratings
Save the Cat! Goes to the Movies
by Blake Snyder • 2007
Fifty films, ten master genres, one hidden template: the blueprint behind every story that works.
4.00
2k+
Save the Cat! Goes to the Movies Summary
Save the Cat! Goes to the Movies 88%
Fifty films, ten master genres, one hidden template: the blueprint behind every story that works.
by Blake Snyder 2007
4.00
2k+ ratings
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