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SoBrief
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Making a Good Script Great
by Linda Seger • 1987
Script doctor's toolkit: structure fixes, subplot craft, and momentum rules that sell a screenplay.
3.88
1k+
Making a Good Script Great Summary
Making a Good Script Great 88%
Script doctor's toolkit: structure fixes, subplot craft, and momentum rules that sell a screenplay.
by Linda Seger 1987
3.88
1k+ ratings
Crafting Short Screenplays That Connect
by Claudia Hunter Johnson • 2000
Conflict isn't enough for short screenplays. Find resonant moments in your own life.
3.91
150
Crafting Short Screenplays That Connect Summary
Crafting Short Screenplays That Connect 88%
Conflict isn't enough for short screenplays. Find resonant moments in your own life.
by Claudia Hunter Johnson 2000
3.91
150 ratings
Crafty Screenwriting
by Alex Epstein • 2002
Write the hook they can't forget and the package they can't resist: the rules of screenwriting.
3.85
120
Crafty Screenwriting Summary
Crafty Screenwriting 87%
Write the hook they can't forget and the package they can't resist: the rules of screenwriting.
by Alex Epstein 2002
3.85
120 ratings
Screenwriting Is Filmmaking
by Brian Dunnigan • 2020
Write screenplays that think like a camera: the craft of making films from the page up.
3.33
3
Screenwriting Is Filmmaking Summary
Screenwriting Is Filmmaking 87%
Write screenplays that think like a camera: the craft of making films from the page up.
by Brian Dunnigan 2020
3.33
3 ratings
Save the Cat!
by Blake Snyder • 2005
Fifteen beats, forty cards, and one rule to make your hero likeable on page ten.
4.01
22k+
Save the Cat! Summary
Save the Cat! 87%
Fifteen beats, forty cards, and one rule to make your hero likeable on page ten.
by Blake Snyder 2005
4.01
22k+ ratings
Save the Cat! Strikes Back
by Blake Snyder • 2009
Script problems aren't failure. They're the raw material of every breakthrough draft.
4.17
1k+
Save the Cat! Strikes Back Summary
Save the Cat! Strikes Back 87%
Script problems aren't failure. They're the raw material of every breakthrough draft.
by Blake Snyder 2009
4.17
1k+ ratings
Screenwriters Problem Solver How To R
by Syd Field • 1998
Ten ways a screenplay breaks, and the concrete fix for each.
3.82
373
Screenwriters Problem Solver How To R Summary
Screenwriters Problem Solver How To R 86%
Ten ways a screenplay breaks, and the concrete fix for each.
by Syd Field 1998
3.82
373 ratings
Now Write! Screenwriting
by Sherry Ellis • 2010
Screenwriting taught by doing: exercises from working writers that build what theory only describes.
4.09
116
Now Write! Screenwriting Summary
Now Write! Screenwriting 86%
Screenwriting taught by doing: exercises from working writers that build what theory only describes.
by Sherry Ellis 2010
4.09
116 ratings
The First Five Pages
by Noah Lukeman • 2000
99% of manuscripts get rejected by page five. Catch the invisible flaws that trigger the no.
3.98
4k+
The First Five Pages Summary
The First Five Pages 86%
99% of manuscripts get rejected by page five. Catch the invisible flaws that trigger the no.
by Noah Lukeman 2000
3.98
4k+ ratings
Screenplay
by Syd Field • 1979
The structural template that turned screenwriting into a learnable craft, from setup to final draft.
3.99
9k+
Screenplay Summary
Screenplay 86%
The structural template that turned screenwriting into a learnable craft, from setup to final draft.
by Syd Field 1979
3.99
9k+ ratings
Memo from the Story Department
by Christopher Vogler • 2011
How myths, archetypes, and vaudeville timing built the architecture of every great screenplay.
4.16
171
Memo from the Story Department Summary
Memo from the Story Department 86%
How myths, archetypes, and vaudeville timing built the architecture of every great screenplay.
by Christopher Vogler 2011
4.16
171 ratings
Save the Cat! Goes to the Movies
by Blake Snyder • 2007
Fifty films, ten master genres, one hidden template: the blueprint behind every story that works.
4.00
2k+
Save the Cat! Goes to the Movies Summary
Save the Cat! Goes to the Movies 86%
Fifty films, ten master genres, one hidden template: the blueprint behind every story that works.
by Blake Snyder 2007
4.00
2k+ ratings
Save the Cat! Writes for TV
by Jamie Nash • 2021
Board it. Beat it. Weave it: the writers' room method for structuring a pilot that sells.
4.31
423
Save the Cat! Writes for TV Summary
Save the Cat! Writes for TV 86%
Board it. Beat it. Weave it: the writers' room method for structuring a pilot that sells.
by Jamie Nash 2021
4.31
423 ratings
The 101 Habits of Highly Successful Screenwriters
by Karl Iglesias • 2001
101 screenwriters reveal the habits that separate careers that sell from ones that stall.
3.87
479
The 101 Habits of Highly Successful Screenwriters Summary
The 101 Habits of Highly Successful Screenwriters 86%
101 screenwriters reveal the habits that separate careers that sell from ones that stall.
by Karl Iglesias 2001
3.87
479 ratings
The Art of Character
by David Corbett • 2013
The five things every unforgettable character has, and why questionnaires will never uncover them.
4.25
681
The Art of Character Summary
The Art of Character 86%
The five things every unforgettable character has, and why questionnaires will never uncover them.
by David Corbett 2013
4.25
681 ratings
Write It, Pitch It, Sell Your Screenplay
by DMA/Donna Michelle Anderson • 2015
The story framework and pitch strategy industry insiders expect, from a former script evaluator.
4.50
8
Write It, Pitch It, Sell Your Screenplay Summary
Write It, Pitch It, Sell Your Screenplay 86%
The story framework and pitch strategy industry insiders expect, from a former script evaluator.
by DMA/Donna Michelle Anderson 2015
4.50
8 ratings
Directing Actors
by Judith Weston • 1996
Most directors give actors adjectives. The ones who get great performances give them verbs.
4.36
2k+
Directing Actors Summary
Directing Actors 86%
Most directors give actors adjectives. The ones who get great performances give them verbs.
by Judith Weston 1996
4.36
2k+ ratings
Action
by Robert McKee • 2022
Excitement on page and screen has rules. The villain’s scheme, not the spectacle, is its engine.
4.29
126
Action Summary
Action 85%
Excitement on page and screen has rules. The villain’s scheme, not the spectacle, is its engine.
by Robert McKee 2022
4.29
126 ratings
Writing Movies for Fun and Profit
by Robert Ben Garant • 2011
Screenwriting is a blue-collar job: relocate, pitch constantly, and never turn down a rewrite.
3.95
2k+
Writing Movies for Fun and Profit Summary
Writing Movies for Fun and Profit 85%
Screenwriting is a blue-collar job: relocate, pitch constantly, and never turn down a rewrite.
by Robert Ben Garant 2011
3.95
2k+ ratings
Writing Short Films
by Linda J. Cowgill • 1997
Minutes, not hours. The structural rules for short films that features never taught you.
3.70
303
Writing Short Films Summary
Writing Short Films 85%
Minutes, not hours. The structural rules for short films that features never taught you.
by Linda J. Cowgill 1997
3.70
303 ratings
Selling a Screenplay
by Syd Field • 1989
Three acts, two plot points, one rule: decide your ending before you write your opening.
3.70
91
Selling a Screenplay Summary
Selling a Screenplay 85%
Three acts, two plot points, one rule: decide your ending before you write your opening.
by Syd Field 1989
3.70
91 ratings
Self-Editing for Fiction Writers
by Renni Browne • 1993
The self-editing techniques that find and fix the flaws keeping your novel from publication.
4.25
7k+
Self-Editing for Fiction Writers Summary
Self-Editing for Fiction Writers 85%
The self-editing techniques that find and fix the flaws keeping your novel from publication.
by Renni Browne 1993
4.25
7k+ ratings
The Anatomy of Story
by John Truby • 2007
The organic alternative to formula: how character, plot, and theme grow from a single premise's DNA.
4.25
7k+
The Anatomy of Story Summary
The Anatomy of Story 85%
The organic alternative to formula: how character, plot, and theme grow from a single premise's DNA.
by John Truby 2007
4.25
7k+ ratings
Becoming a Writer, Staying a Writer
by J. Michael Straczynski • 2021
Writer's block is a myth. Revise like a surgeon, diversify across media, and outlast the industry.
4.44
439
Becoming a Writer, Staying a Writer Summary
Becoming a Writer, Staying a Writer 85%
Writer's block is a myth. Revise like a surgeon, diversify across media, and outlast the industry.
by J. Michael Straczynski 2021
4.44
439 ratings
The Story Solution
by Eric Edson • 2012
The 23-step structural blueprint that turns a screenplay into an emotional ride.
4.32
222
The Story Solution Summary
The Story Solution 85%
The 23-step structural blueprint that turns a screenplay into an emotional ride.
by Eric Edson 2012
4.32
222 ratings
Writing for Emotional Impact
by Karl Iglesias • 2005
Only ink on the page. Emotional techniques for making a script reader feel what movie would.
4.27
710
Writing for Emotional Impact Summary
Writing for Emotional Impact 85%
Only ink on the page. Emotional techniques for making a script reader feel what movie would.
by Karl Iglesias 2005
4.27
710 ratings
How to Write Dazzling Dialogue
by James Scott Bell • 2014
Your manuscript lives or dies by dialogue. The craft rules for making every exchange count.
4.17
2k+
How to Write Dazzling Dialogue Summary
How to Write Dazzling Dialogue 85%
Your manuscript lives or dies by dialogue. The craft rules for making every exchange count.
by James Scott Bell 2014
4.17
2k+ ratings
Techniques of the Selling Writer
by Dwight V. Swain • 1965
Master the rhythm of conflict and emotional reaction that makes any story impossible to put down.
4.33
2k+
Techniques of the Selling Writer Summary
Techniques of the Selling Writer 85%
Master the rhythm of conflict and emotional reaction that makes any story impossible to put down.
by Dwight V. Swain 1965
4.33
2k+ ratings
Dialogue
by Robert McKee • 2016
Your dialogue problem is really a scene problem. The fix starts underneath the words.
4.32
2k+
Dialogue Summary
Dialogue 85%
Your dialogue problem is really a scene problem. The fix starts underneath the words.
by Robert McKee 2016
4.32
2k+ ratings
Immediate Fiction
by Jerry Cleaver • 2002
A no-jargon writing method that centers on conflict and emotion, and how to finish the stuck draft.
4.14
755
Immediate Fiction Summary
Immediate Fiction 85%
A no-jargon writing method that centers on conflict and emotion, and how to finish the stuck draft.
by Jerry Cleaver 2002
4.14
755 ratings
Aristotle's Poetics for Screenwriters
by Michael Tierno • 2002
The screenwriting manual hiding inside a 2,300-year-old Greek text, decoded for your next draft.
3.84
639
Aristotle's Poetics for Screenwriters Summary
Aristotle's Poetics for Screenwriters 85%
The screenwriting manual hiding inside a 2,300-year-old Greek text, decoded for your next draft.
by Michael Tierno 2002
3.84
639 ratings
Into the Woods
by John Yorke • 2013
Every story hides a fractal skeleton. From Greek tragedy to prestige TV, the bones are identical.
4.18
5k+
Into the Woods Summary
Into the Woods 85%
Every story hides a fractal skeleton. From Greek tragedy to prestige TV, the bones are identical.
by John Yorke 2013
4.18
5k+ ratings
Directors Tell the Story
by Bethany Rooney • 2011
A working director's guide to running a set, shaping performances, and surviving the edit room.
4.47
74
Directors Tell the Story Summary
Directors Tell the Story 85%
A working director's guide to running a set, shaping performances, and surviving the edit room.
by Bethany Rooney 2011
4.47
74 ratings
Invisible Ink
by Brian McDonald • 2010
Forget formulas: the deep craft of story is a hidden framework of theme, pain, and dramatic irony.
4.38
2k+
Invisible Ink Summary
Invisible Ink 85%
Forget formulas: the deep craft of story is a hidden framework of theme, pain, and dramatic irony.
by Brian McDonald 2010
4.38
2k+ ratings
Refuse to Be Done
by Matt Bell • 2022
Finish your novel in three drafts: a rough discovery, a full rewrite, and a layered polish.
4.43
2k+
Refuse to Be Done Summary
Refuse to Be Done 85%
Finish your novel in three drafts: a rough discovery, a full rewrite, and a layered polish.
by Matt Bell 2022
4.43
2k+ ratings
Intent to Live
by Larry Moss • 2004
A master coach on acting: find a script's secret, build the character, make the audience lean in.
4.49
772
Intent to Live Summary
Intent to Live 85%
A master coach on acting: find a script's secret, build the character, make the audience lean in.
by Larry Moss 2004
4.49
772 ratings
Story
by Robert McKee • 1997
How to design the moments where expectations collide with reality and everything flips.
4.27
18k+
Story Summary
Story 85%
How to design the moments where expectations collide with reality and everything flips.
by Robert McKee 1997
4.27
18k+ ratings
Revision & Self-Editing
by James Scott Bell • 2008
A big-picture-first revision system: fix your novel's bones before you polish a single sentence.
4.19
2k+
Revision & Self-Editing Summary
Revision & Self-Editing 85%
A big-picture-first revision system: fix your novel's bones before you polish a single sentence.
by James Scott Bell 2008
4.19
2k+ ratings
The Anatomy of Genres
by John Truby • 2022
Genres are philosophies disguised as story types. Crack the beats and you crack writing and life.
4.21
607
The Anatomy of Genres Summary
The Anatomy of Genres 85%
Genres are philosophies disguised as story types. Crack the beats and you crack writing and life.
by John Truby 2022
4.21
607 ratings
Story Engineering
by Larry Brooks • 2011
Six storytelling skills and a four-part map that transform an idea into a novel that works.
4.10
3k+
Story Engineering Summary
Story Engineering 85%
Six storytelling skills and a four-part map that transform an idea into a novel that works.
by Larry Brooks 2011
4.10
3k+ ratings
The Eight Characters of Comedy
by Scott Sedita • 2005
Eight character types underpin every sitcom; here is the craft to write and play them.
4.03
357
The Eight Characters of Comedy Summary
The Eight Characters of Comedy 85%
Eight character types underpin every sitcom; here is the craft to write and play them.
by Scott Sedita 2005
4.03
357 ratings
Draft No. 4
by John McPhee • 2013
How a New Yorker writer earns every sentence: drafts, checking, silence, and a dictionary.
4.09
4k+
Draft No. 4 Summary
Draft No. 4 85%
How a New Yorker writer earns every sentence: drafts, checking, silence, and a dictionary.
by John McPhee 2013
4.09
4k+ ratings
How to Write a Dynamite Scene Using the Snowflake Method
by Randy Ingermanson • 2018
Two scene patterns drive every novel: one forces a setback, the other forces a hard choice.
4.33
634
How to Write a Dynamite Scene Using the Snowflake Method Summary
How to Write a Dynamite Scene Using the Snowflake Method 85%
Two scene patterns drive every novel: one forces a setback, the other forces a hard choice.
by Randy Ingermanson 2018
4.33
634 ratings
Creating Character Arcs
by K.M. Weiland • 2016
Why your character believes a lie, and how that single flaw designs your entire plot.
4.31
4k+
Creating Character Arcs Summary
Creating Character Arcs 85%
Why your character believes a lie, and how that single flaw designs your entire plot.
by K.M. Weiland 2016
4.31
4k+ ratings
Good Prose
by Tracy Kidder • 2013
Everything a Pulitzer winner and his editor know about writing nonfiction that people finish.
3.92
1k+
Good Prose Summary
Good Prose 85%
Everything a Pulitzer winner and his editor know about writing nonfiction that people finish.
by Tracy Kidder 2013
3.92
1k+ ratings
Pixar Storytelling
by Dean Movshovitz • 2017
Pixar's narrative playbook: what makes a concept rich, a character stick, and an ending feel earned.
3.95
903
Pixar Storytelling Summary
Pixar Storytelling 85%
Pixar's narrative playbook: what makes a concept rich, a character stick, and an ending feel earned.
by Dean Movshovitz 2017
3.95
903 ratings
Why Write?
by Mark Edmundson • 2016
Writing is the art of becoming nobody's fool, especially your own.
3.65
222
Why Write? Summary
Why Write? 85%
Writing is the art of becoming nobody's fool, especially your own.
by Mark Edmundson 2016
3.65
222 ratings
The Actor's Guide to Creating a Character
by William Esper • 2014
William Esper's Meisner: build a character through playable actions, not emotional guesswork.
4.59
200
The Actor's Guide to Creating a Character Summary
The Actor's Guide to Creating a Character 85%
William Esper's Meisner: build a character through playable actions, not emotional guesswork.
by William Esper 2014
4.59
200 ratings
Writing Your Novel from Start to Finish
by Joseph Bates • 2015
Your novel, start to finish: a guide that treats structure as discovery's framework, not a cage.
4.21
184
Writing Your Novel from Start to Finish Summary
Writing Your Novel from Start to Finish 85%
Your novel, start to finish: a guide that treats structure as discovery's framework, not a cage.
by Joseph Bates 2015
4.21
184 ratings
This Year You Write Your Novel
by Walter Mosley • 2007
Your unconscious writes the story. Give it ninety minutes a day and stop censoring.
3.81
2k+
This Year You Write Your Novel Summary
This Year You Write Your Novel 85%
Your unconscious writes the story. Give it ninety minutes a day and stop censoring.
by Walter Mosley 2007
3.81
2k+ ratings
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