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SoBrief
Searching...
Write Your Novel From The Middle
by James Scott Bell • 2014
Forget outlining and pantsing. The one scene every novel needs sits exactly in the middle.
4.20
3k+
Write Your Novel From The Middle Summary
Write Your Novel From The Middle 88%
Forget outlining and pantsing. The one scene every novel needs sits exactly in the middle.
by James Scott Bell 2014
4.20
3k+ ratings
Screenplay
by Syd Field • 1979
The structural template that turned screenwriting into a learnable craft, from setup to final draft.
3.99
9k+
Screenplay Summary
Screenplay 88%
The structural template that turned screenwriting into a learnable craft, from setup to final draft.
by Syd Field 1979
3.99
9k+ ratings
Making a Good Script Great
by Linda Seger • 1987
Script doctor's toolkit: structure fixes, subplot craft, and momentum rules that sell a screenplay.
3.88
1k+
Making a Good Script Great Summary
Making a Good Script Great 88%
Script doctor's toolkit: structure fixes, subplot craft, and momentum rules that sell a screenplay.
by Linda Seger 1987
3.88
1k+ ratings
Creating Character Arcs
by K.M. Weiland • 2016
Why your character believes a lie, and how that single flaw designs your entire plot.
4.31
4k+
Creating Character Arcs Summary
Creating Character Arcs 88%
Why your character believes a lie, and how that single flaw designs your entire plot.
by K.M. Weiland 2016
4.31
4k+ ratings
The Anatomy of Story
by John Truby • 2007
The organic alternative to formula: how character, plot, and theme grow from a single premise's DNA.
4.25
7k+
The Anatomy of Story Summary
The Anatomy of Story 88%
The organic alternative to formula: how character, plot, and theme grow from a single premise's DNA.
by John Truby 2007
4.25
7k+ ratings
Writing Short Films
by Linda J. Cowgill • 1997
Minutes, not hours. The structural rules for short films that features never taught you.
3.70
303
Writing Short Films Summary
Writing Short Films 87%
Minutes, not hours. The structural rules for short films that features never taught you.
by Linda J. Cowgill 1997
3.70
303 ratings
The Anatomy of Genres
by John Truby • 2022
Genres are philosophies disguised as story types. Crack the beats and you crack writing and life.
4.21
607
The Anatomy of Genres Summary
The Anatomy of Genres 87%
Genres are philosophies disguised as story types. Crack the beats and you crack writing and life.
by John Truby 2022
4.21
607 ratings
Pixar Storytelling
by Dean Movshovitz • 2017
Pixar's narrative playbook: what makes a concept rich, a character stick, and an ending feel earned.
3.95
903
Pixar Storytelling Summary
Pixar Storytelling 87%
Pixar's narrative playbook: what makes a concept rich, a character stick, and an ending feel earned.
by Dean Movshovitz 2017
3.95
903 ratings
Memo from the Story Department
by Christopher Vogler • 2011
How myths, archetypes, and vaudeville timing built the architecture of every great screenplay.
4.16
171
Memo from the Story Department Summary
Memo from the Story Department 87%
How myths, archetypes, and vaudeville timing built the architecture of every great screenplay.
by Christopher Vogler 2011
4.16
171 ratings
Save the Cat! Goes to the Movies
by Blake Snyder • 2007
Fifty films, ten master genres, one hidden template: the blueprint behind every story that works.
4.00
2k+
Save the Cat! Goes to the Movies Summary
Save the Cat! Goes to the Movies 87%
Fifty films, ten master genres, one hidden template: the blueprint behind every story that works.
by Blake Snyder 2007
4.00
2k+ ratings
Documentary Storytelling
by Sheila Curran Bernard • 2010
From research to final cut: the craft rules for making nonfiction films that grip like fiction.
4.00
148
Documentary Storytelling Summary
Documentary Storytelling 87%
From research to final cut: the craft rules for making nonfiction films that grip like fiction.
by Sheila Curran Bernard 2010
4.00
148 ratings
Screenwriting Is Filmmaking
by Brian Dunnigan • 2020
Write screenplays that think like a camera: the craft of making films from the page up.
3.33
3
Screenwriting Is Filmmaking Summary
Screenwriting Is Filmmaking 87%
Write screenplays that think like a camera: the craft of making films from the page up.
by Brian Dunnigan 2020
3.33
3 ratings
Write It, Pitch It, Sell Your Screenplay
by DMA/Donna Michelle Anderson • 2015
The story framework and pitch strategy industry insiders expect, from a former script evaluator.
4.50
8
Write It, Pitch It, Sell Your Screenplay Summary
Write It, Pitch It, Sell Your Screenplay 87%
The story framework and pitch strategy industry insiders expect, from a former script evaluator.
by DMA/Donna Michelle Anderson 2015
4.50
8 ratings
Screenwriters Problem Solver How To R
by Syd Field • 1998
Ten ways a screenplay breaks, and the concrete fix for each.
3.82
373
Screenwriters Problem Solver How To R Summary
Screenwriters Problem Solver How To R 87%
Ten ways a screenplay breaks, and the concrete fix for each.
by Syd Field 1998
3.82
373 ratings
Crafty Screenwriting
by Alex Epstein • 2002
Write the hook they can't forget and the package they can't resist: the rules of screenwriting.
3.85
120
Crafty Screenwriting Summary
Crafty Screenwriting 87%
Write the hook they can't forget and the package they can't resist: the rules of screenwriting.
by Alex Epstein 2002
3.85
120 ratings
Action
by Robert McKee • 2022
Excitement on page and screen has rules. The villain’s scheme, not the spectacle, is its engine.
4.29
126
Action Summary
Action 87%
Excitement on page and screen has rules. The villain’s scheme, not the spectacle, is its engine.
by Robert McKee 2022
4.29
126 ratings
The Thirty Six Dramatic Situations
by Georges Polti • 1921
Every story fits into 36 conflicts. The art is in how you combine them.
3.45
222
The Thirty Six Dramatic Situations Summary
The Thirty Six Dramatic Situations 87%
Every story fits into 36 conflicts. The art is in how you combine them.
by Georges Polti 1921
3.45
222 ratings
Invisible Ink
by Brian McDonald • 2010
Forget formulas: the deep craft of story is a hidden framework of theme, pain, and dramatic irony.
4.38
2k+
Invisible Ink Summary
Invisible Ink 87%
Forget formulas: the deep craft of story is a hidden framework of theme, pain, and dramatic irony.
by Brian McDonald 2010
4.38
2k+ ratings
The Story Solution
by Eric Edson • 2012
The 23-step structural blueprint that turns a screenplay into an emotional ride.
4.32
222
The Story Solution Summary
The Story Solution 87%
The 23-step structural blueprint that turns a screenplay into an emotional ride.
by Eric Edson 2012
4.32
222 ratings
The Ultimate Hero's Journey
by Neal Soloponte • 2017
195 steps, four acts: the master structure hidden in every bestseller, and how to use it.
4.11
131
The Ultimate Hero's Journey Summary
The Ultimate Hero's Journey 87%
195 steps, four acts: the master structure hidden in every bestseller, and how to use it.
by Neal Soloponte 2017
4.11
131 ratings
Into the Woods
by John Yorke • 2013
Every story hides a fractal skeleton. From Greek tragedy to prestige TV, the bones are identical.
4.18
5k+
Into the Woods Summary
Into the Woods 87%
Every story hides a fractal skeleton. From Greek tragedy to prestige TV, the bones are identical.
by John Yorke 2013
4.18
5k+ ratings
Story
by Robert McKee • 1997
How to design the moments where expectations collide with reality and everything flips.
4.27
18k+
Story Summary
Story 86%
How to design the moments where expectations collide with reality and everything flips.
by Robert McKee 1997
4.27
18k+ ratings
Save the Cat!
by Blake Snyder • 2005
Fifteen beats, forty cards, and one rule to make your hero likeable on page ten.
4.01
22k+
Save the Cat! Summary
Save the Cat! 86%
Fifteen beats, forty cards, and one rule to make your hero likeable on page ten.
by Blake Snyder 2005
4.01
22k+ ratings
The Writer's Journey - 25th Anniversary Edition
by Christopher Vogler • 1992
A Hollywood analyst unpacks the monomyth: a story blueprint that works from Homer to Star Wars.
4.10
10k+
The Writer's Journey - 25th Anniversary Edition Summary
The Writer's Journey - 25th Anniversary Edition 86%
A Hollywood analyst unpacks the monomyth: a story blueprint that works from Homer to Star Wars.
by Christopher Vogler 1992
4.10
10k+ ratings
Aristotle's Poetics for Screenwriters
by Michael Tierno • 2002
The screenwriting manual hiding inside a 2,300-year-old Greek text, decoded for your next draft.
3.84
639
Aristotle's Poetics for Screenwriters Summary
Aristotle's Poetics for Screenwriters 86%
The screenwriting manual hiding inside a 2,300-year-old Greek text, decoded for your next draft.
by Michael Tierno 2002
3.84
639 ratings
Character
by Robert McKee • 2021
Forget imitating people. Memorable characters are metaphors built from inner contradictions.
4.29
445
Character Summary
Character 86%
Forget imitating people. Memorable characters are metaphors built from inner contradictions.
by Robert McKee 2021
4.29
445 ratings
The Seven Basic Plots
by Christopher Booker • 2004
All stories are one of seven shapes. And they all solve the same psychological problem.
3.76
2k+
The Seven Basic Plots Summary
The Seven Basic Plots 86%
All stories are one of seven shapes. And they all solve the same psychological problem.
by Christopher Booker 2004
3.76
2k+ ratings
Directors Tell the Story
by Bethany Rooney • 2011
A working director's guide to running a set, shaping performances, and surviving the edit room.
4.47
74
Directors Tell the Story Summary
Directors Tell the Story 86%
A working director's guide to running a set, shaping performances, and surviving the edit room.
by Bethany Rooney 2011
4.47
74 ratings
The Art of Character
by David Corbett • 2013
The five things every unforgettable character has, and why questionnaires will never uncover them.
4.25
681
The Art of Character Summary
The Art of Character 86%
The five things every unforgettable character has, and why questionnaires will never uncover them.
by David Corbett 2013
4.25
681 ratings
Save the Cat! Strikes Back
by Blake Snyder • 2009
Script problems aren't failure. They're the raw material of every breakthrough draft.
4.17
1k+
Save the Cat! Strikes Back Summary
Save the Cat! Strikes Back 86%
Script problems aren't failure. They're the raw material of every breakthrough draft.
by Blake Snyder 2009
4.17
1k+ ratings
Million Dollar Outlines
by David Farland • 2013
An outlining method that pressure-tests your plot, designed to sell a novel on proposal.
4.16
844
Million Dollar Outlines Summary
Million Dollar Outlines 86%
An outlining method that pressure-tests your plot, designed to sell a novel on proposal.
by David Farland 2013
4.16
844 ratings
Video Game Storytelling
by Evan Skolnick • 2014
Screenwriting's classic tools applied to games, so story and gameplay pull the same direction.
3.99
503
Video Game Storytelling Summary
Video Game Storytelling 86%
Screenwriting's classic tools applied to games, so story and gameplay pull the same direction.
by Evan Skolnick 2014
3.99
503 ratings
Writing for Emotional Impact
by Karl Iglesias • 2005
Only ink on the page. Emotional techniques for making a script reader feel what movie would.
4.27
710
Writing for Emotional Impact Summary
Writing for Emotional Impact 86%
Only ink on the page. Emotional techniques for making a script reader feel what movie would.
by Karl Iglesias 2005
4.27
710 ratings
The Visual Story
by Bruce Block • 2021
How to align visual structure with story: seven components, one law, and a shot-by-shot system.
4.67
3
The Visual Story Summary
The Visual Story 86%
How to align visual structure with story: seven components, one law, and a shot-by-shot system.
by Bruce Block 2021
4.67
3 ratings
Save the Cat! Writes a Novel
by Jessica Brody • 2018
A screenwriter's 15-beat method, adapted for novels: how to map a flawed hero's full transformation.
4.49
14k+
Save the Cat! Writes a Novel Summary
Save the Cat! Writes a Novel 86%
A screenwriter's 15-beat method, adapted for novels: how to map a flawed hero's full transformation.
by Jessica Brody 2018
4.49
14k+ ratings
In the Blink of an Eye
by Walter Murch • 1995
An editor discovers, not assembles. The audience's blink reveals where every cut belongs.
4.21
9k+
In the Blink of an Eye Summary
In the Blink of an Eye 86%
An editor discovers, not assembles. The audience's blink reveals where every cut belongs.
by Walter Murch 1995
4.21
9k+ ratings
Psychology for Screenwriters
by William Indick • 2004
Hidden wounds, not goals, drive the best characters. The psychological frameworks that build them.
3.93
432
Psychology for Screenwriters Summary
Psychology for Screenwriters 86%
Hidden wounds, not goals, drive the best characters. The psychological frameworks that build them.
by William Indick 2004
3.93
432 ratings
Reading the Silver Screen
by Thomas C. Foster • 2014
You've seen 1,000 films. A literature professor shows you what your eyes already knew.
3.35
326
Reading the Silver Screen Summary
Reading the Silver Screen 86%
You've seen 1,000 films. A literature professor shows you what your eyes already knew.
by Thomas C. Foster 2014
3.35
326 ratings
Indiana Jones and Philosophy
by Dean Kowalski • 2023
Beneath the fedora: a philosophy seminar on heroism, faith, aging, and who really owns the past.
3.71
21
Indiana Jones and Philosophy Summary
Indiana Jones and Philosophy 86%
Beneath the fedora: a philosophy seminar on heroism, faith, aging, and who really owns the past.
by Dean Kowalski 2023
3.71
21 ratings
Techniques of the Selling Writer
by Dwight V. Swain • 1965
Master the rhythm of conflict and emotional reaction that makes any story impossible to put down.
4.33
2k+
Techniques of the Selling Writer Summary
Techniques of the Selling Writer 86%
Master the rhythm of conflict and emotional reaction that makes any story impossible to put down.
by Dwight V. Swain 1965
4.33
2k+ ratings
The Story Grid
by Shawn Coyne • 2015
Why stories fail, scene by scene: an editor's diagnostic that finds the break and the fix.
4.30
2k+
The Story Grid Summary
The Story Grid 86%
Why stories fail, scene by scene: an editor's diagnostic that finds the break and the fix.
by Shawn Coyne 2015
4.30
2k+ ratings
Plot Perfect
by Paula Munier • 2014
Build novels scene by scene, using theme as your compass and emotional rhythm as your engine.
4.25
461
Plot Perfect Summary
Plot Perfect 86%
Build novels scene by scene, using theme as your compass and emotional rhythm as your engine.
by Paula Munier 2014
4.25
461 ratings
Selling a Screenplay
by Syd Field • 1989
Three acts, two plot points, one rule: decide your ending before you write your opening.
3.70
91
Selling a Screenplay Summary
Selling a Screenplay 86%
Three acts, two plot points, one rule: decide your ending before you write your opening.
by Syd Field 1989
3.70
91 ratings
Transitions
by William Bridges • 2004
Real transformation requires an ending, then an empty gap. Skip the gap and nothing genuine begins.
4.03
4k+
Transitions Summary
Transitions 86%
Real transformation requires an ending, then an empty gap. Skip the gap and nothing genuine begins.
by William Bridges 2004
4.03
4k+ ratings
Writing Movies for Fun and Profit
by Robert Ben Garant • 2011
Screenwriting is a blue-collar job: relocate, pitch constantly, and never turn down a rewrite.
3.95
2k+
Writing Movies for Fun and Profit Summary
Writing Movies for Fun and Profit 86%
Screenwriting is a blue-collar job: relocate, pitch constantly, and never turn down a rewrite.
by Robert Ben Garant 2011
3.95
2k+ ratings
Story Engineering
by Larry Brooks • 2011
Six storytelling skills and a four-part map that transform an idea into a novel that works.
4.10
3k+
Story Engineering Summary
Story Engineering 86%
Six storytelling skills and a four-part map that transform an idea into a novel that works.
by Larry Brooks 2011
4.10
3k+ ratings
Story Structure Architect
by Victoria Lynn Schmidt • 2005
55 plot scenarios, 11 narrative blueprints, and the character types that populate them.
3.83
890
Story Structure Architect Summary
Story Structure Architect 86%
55 plot scenarios, 11 narrative blueprints, and the character types that populate them.
by Victoria Lynn Schmidt 2005
3.83
890 ratings
Analyser un film, de l'émotion à l'interprétation
by Laurent Jullier • 2012
Great films work on you before you understand them. The method for closing that gap.
3.33
21
Analyser un film, de l'émotion à l'interprétation Summary
Analyser un film, de l'émotion à l'interprétation 86%
Great films work on you before you understand them. The method for closing that gap.
by Laurent Jullier 2012
3.33
21 ratings
Film Directing Shot by Shot
by Steven D. Katz • 1991
Storyboards, staging patterns, and the cut: a director's visual grammar from script to screen.
4.00
2k+
Film Directing Shot by Shot Summary
Film Directing Shot by Shot 86%
Storyboards, staging patterns, and the cut: a director's visual grammar from script to screen.
by Steven D. Katz 1991
4.00
2k+ ratings
Super Structure
by James Scott Bell • 2015
Your story's midpoint holds the key. A flexible framework of beats for outliners and pantsers alike.
4.40
942
Super Structure Summary
Super Structure 86%
Your story's midpoint holds the key. A flexible framework of beats for outliners and pantsers alike.
by James Scott Bell 2015
4.40
942 ratings
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