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How to Shoot Video That Doesn't Suck
by Steve Stockman • 2011
Ten seconds is all your video gets. The working-director playbook for making people stay past that.
4.20
1k+
How to Shoot Video That Doesn't Suck Summary
How to Shoot Video That Doesn't Suck 91%
Ten seconds is all your video gets. The working-director playbook for making people stay past that.
by Steve Stockman 2011
4.20
1k+ ratings
Film Directing Shot by Shot
by Steven D. Katz • 1991
Storyboards, staging patterns, and the cut: a director's visual grammar from script to screen.
4.00
2k+
Film Directing Shot by Shot Summary
Film Directing Shot by Shot 91%
Storyboards, staging patterns, and the cut: a director's visual grammar from script to screen.
by Steven D. Katz 1991
4.00
2k+ ratings
Directing the Documentary by Michael Rabiger (1992-01-01) Paperback
by Michael Rabiger • 1987
From research to final cut: the documentary director's craft, where ethics and story meet the lens.
4.21
336
Directing the Documentary by Michael Rabiger (1992-01-01) Paperback Summary
Directing the Documentary by Michael Rabiger (1992-01-01) Paperback 91%
From research to final cut: the documentary director's craft, where ethics and story meet the lens.
by Michael Rabiger 1987
4.21
336 ratings
Cinematic Storytelling
by Jennifer Van Sijll • 2005
The hundred visual decisions that tell your story before anyone opens their mouth.
4.01
878
Cinematic Storytelling Summary
Cinematic Storytelling 91%
The hundred visual decisions that tell your story before anyone opens their mouth.
by Jennifer Van Sijll 2005
4.01
878 ratings
Directors Tell the Story
by Bethany Rooney • 2011
A working director's guide to running a set, shaping performances, and surviving the edit room.
4.47
74
Directors Tell the Story Summary
Directors Tell the Story 90%
A working director's guide to running a set, shaping performances, and surviving the edit room.
by Bethany Rooney 2011
4.47
74 ratings
Documentary Storytelling
by Sheila Curran Bernard • 2010
From research to final cut: the craft rules for making nonfiction films that grip like fiction.
4.00
148
Documentary Storytelling Summary
Documentary Storytelling 90%
From research to final cut: the craft rules for making nonfiction films that grip like fiction.
by Sheila Curran Bernard 2010
4.00
148 ratings
The Visual Story
by Bruce Block • 2021
How to align visual structure with story: seven components, one law, and a shot-by-shot system.
4.67
3
The Visual Story Summary
The Visual Story 90%
How to align visual structure with story: seven components, one law, and a shot-by-shot system.
by Bruce Block 2021
4.67
3 ratings
Make Your Own Amazing YouTube Videos
by Brett Juilly • 2017
Your smartphone shoots great video. Here is the roadmap from first idea to loyal subscribers.
3.71
14
Make Your Own Amazing YouTube Videos Summary
Make Your Own Amazing YouTube Videos 90%
Your smartphone shoots great video. Here is the roadmap from first idea to loyal subscribers.
by Brett Juilly 2017
3.71
14 ratings
Producer to Producer
by Maureen Ryan • 2010
Low-budget producing: where to spend, where to cut, and how to get your film seen.
4.23
338
Producer to Producer Summary
Producer to Producer 90%
Low-budget producing: where to spend, where to cut, and how to get your film seen.
by Maureen Ryan 2010
4.23
338 ratings
Making Movies
by Sidney Lumet • 1995
How a director keeps a movie from dying the death of a thousand compromises.
4.29
10k+
Making Movies Summary
Making Movies 90%
How a director keeps a movie from dying the death of a thousand compromises.
by Sidney Lumet 1995
4.29
10k+ ratings
The Visual Story
by Bruce Block • 2007
Stop guessing at visual impact. A system for making every frame serve your story deliberately.
4.30
772
The Visual Story Summary
The Visual Story 90%
Stop guessing at visual impact. A system for making every frame serve your story deliberately.
by Bruce Block 2007
4.30
772 ratings
Introduction to Documentary
by Bill Nichols • 2001
Reality does not speak for itself. How documentary turns observation into argument, frame by frame.
3.77
484
Introduction to Documentary Summary
Introduction to Documentary 89%
Reality does not speak for itself. How documentary turns observation into argument, frame by frame.
by Bill Nichols 2001
3.77
484 ratings
Rebel Without a Crew, or How a 23-Year-Old Filmmaker with $7,000 Became a Hollywood Player
by Robert Rodríguez • 1995
$7,000, no crew: a 23-year-old's diary of shooting a feature in Mexico and breaking into Hollywood.
4.19
6k+
Rebel Without a Crew, or How a 23-Year-Old Filmmaker with $7,000 Became a Hollywood Player Summary
Rebel Without a Crew, or How a 23-Year-Old Filmmaker with $7,000 Became a Hollywood Player 89%
$7,000, no crew: a 23-year-old's diary of shooting a feature in Mexico and breaking into Hollywood.
by Robert Rodríguez 1995
4.19
6k+ ratings
How Not to Make a Short Film
by Roberta Marie Munroe • 2009
The Sundance programmer's playbook for making a short film that festivals actually want to see.
3.67
492
How Not to Make a Short Film Summary
How Not to Make a Short Film 89%
The Sundance programmer's playbook for making a short film that festivals actually want to see.
by Roberta Marie Munroe 2009
3.67
492 ratings
Screenwriting Is Filmmaking
by Brian Dunnigan • 2020
Write screenplays that think like a camera: the craft of making films from the page up.
3.33
3
Screenwriting Is Filmmaking Summary
Screenwriting Is Filmmaking 89%
Write screenplays that think like a camera: the craft of making films from the page up.
by Brian Dunnigan 2020
3.33
3 ratings
Writing Short Films
by Linda J. Cowgill • 1997
Minutes, not hours. The structural rules for short films that features never taught you.
3.70
303
Writing Short Films Summary
Writing Short Films 89%
Minutes, not hours. The structural rules for short films that features never taught you.
by Linda J. Cowgill 1997
3.70
303 ratings
Screenplay
by Syd Field • 1979
The structural template that turned screenwriting into a learnable craft, from setup to final draft.
3.99
9k+
Screenplay Summary
Screenplay 89%
The structural template that turned screenwriting into a learnable craft, from setup to final draft.
by Syd Field 1979
3.99
9k+ ratings
Hitchcock/Truffaut
by François Truffaut • 1985
A bomb under the table, a document nobody cares about: Hitchcock decodes suspense for Truffaut.
4.47
10k+
Hitchcock/Truffaut Summary
Hitchcock/Truffaut 89%
A bomb under the table, a document nobody cares about: Hitchcock decodes suspense for Truffaut.
by François Truffaut 1985
4.47
10k+ ratings
In the Blink of an Eye
by Walter Murch • 1995
An editor discovers, not assembles. The audience's blink reveals where every cut belongs.
4.21
9k+
In the Blink of an Eye Summary
In the Blink of an Eye 89%
An editor discovers, not assembles. The audience's blink reveals where every cut belongs.
by Walter Murch 1995
4.21
9k+ ratings
Why Not Me?
by Mindy Kaling • 2015
A vampire's diamond skin, a breakaway dance studio, and a weather war: how Twilight got made.
3.90
227k+
Why Not Me? Summary
Why Not Me? 89%
A vampire's diamond skin, a breakaway dance studio, and a weather war: how Twilight got made.
by Mindy Kaling 2015
3.90
227k+ ratings
Making a Good Script Great
by Linda Seger • 1987
Script doctor's toolkit: structure fixes, subplot craft, and momentum rules that sell a screenplay.
3.88
1k+
Making a Good Script Great Summary
Making a Good Script Great 89%
Script doctor's toolkit: structure fixes, subplot craft, and momentum rules that sell a screenplay.
by Linda Seger 1987
3.88
1k+ ratings
If Chins Could Kill
by Bruce Campbell • 2001
Cereal, a freezing cabin, a gore rig from a bike: the unglamorous making of Evil Dead.
3.95
19k+
If Chins Could Kill Summary
If Chins Could Kill 89%
Cereal, a freezing cabin, a gore rig from a bike: the unglamorous making of Evil Dead.
by Bruce Campbell 2001
3.95
19k+ ratings
Save the Cat! Strikes Back
by Blake Snyder • 2009
Script problems aren't failure. They're the raw material of every breakthrough draft.
4.17
1k+
Save the Cat! Strikes Back Summary
Save the Cat! Strikes Back 89%
Script problems aren't failure. They're the raw material of every breakthrough draft.
by Blake Snyder 2009
4.17
1k+ ratings
Directing Actors
by Judith Weston • 1996
Most directors give actors adjectives. The ones who get great performances give them verbs.
4.36
2k+
Directing Actors Summary
Directing Actors 89%
Most directors give actors adjectives. The ones who get great performances give them verbs.
by Judith Weston 1996
4.36
2k+ ratings
Reading the Silver Screen
by Thomas C. Foster • 2014
You've seen 1,000 films. A literature professor shows you what your eyes already knew.
3.35
326
Reading the Silver Screen Summary
Reading the Silver Screen 88%
You've seen 1,000 films. A literature professor shows you what your eyes already knew.
by Thomas C. Foster 2014
3.35
326 ratings
Filmmaking for Change
by Jon Fitzgerald • 2012
Fund, shoot, edit, and distribute documentaries that turn audiences into advocates.
3.27
22
Filmmaking for Change Summary
Filmmaking for Change 88%
Fund, shoot, edit, and distribute documentaries that turn audiences into advocates.
by Jon Fitzgerald 2012
3.27
22 ratings
Save the Cat! Goes to the Movies
by Blake Snyder • 2007
Fifty films, ten master genres, one hidden template: the blueprint behind every story that works.
4.00
2k+
Save the Cat! Goes to the Movies Summary
Save the Cat! Goes to the Movies 88%
Fifty films, ten master genres, one hidden template: the blueprint behind every story that works.
by Blake Snyder 2007
4.00
2k+ ratings
Crafting Short Screenplays That Connect
by Claudia Hunter Johnson • 2000
Conflict isn't enough for short screenplays. Find resonant moments in your own life.
3.91
150
Crafting Short Screenplays That Connect Summary
Crafting Short Screenplays That Connect 88%
Conflict isn't enough for short screenplays. Find resonant moments in your own life.
by Claudia Hunter Johnson 2000
3.91
150 ratings
Pixar Storytelling
by Dean Movshovitz • 2017
Pixar's narrative playbook: what makes a concept rich, a character stick, and an ending feel earned.
3.95
903
Pixar Storytelling Summary
Pixar Storytelling 88%
Pixar's narrative playbook: what makes a concept rich, a character stick, and an ending feel earned.
by Dean Movshovitz 2017
3.95
903 ratings
Analyser un film, de l'émotion à l'interprétation
by Laurent Jullier • 2012
Great films work on you before you understand them. The method for closing that gap.
3.33
21
Analyser un film, de l'émotion à l'interprétation Summary
Analyser un film, de l'émotion à l'interprétation 88%
Great films work on you before you understand them. The method for closing that gap.
by Laurent Jullier 2012
3.33
21 ratings
Crafty Screenwriting
by Alex Epstein • 2002
Write the hook they can't forget and the package they can't resist: the rules of screenwriting.
3.85
120
Crafty Screenwriting Summary
Crafty Screenwriting 88%
Write the hook they can't forget and the package they can't resist: the rules of screenwriting.
by Alex Epstein 2002
3.85
120 ratings
Audio Engineering 101
by Tim Dittmar • 2011
Your first session, run right: the physics, gear, and people skills every beginner ignores.
4.06
139
Audio Engineering 101 Summary
Audio Engineering 101 88%
Your first session, run right: the physics, gear, and people skills every beginner ignores.
by Tim Dittmar 2011
4.06
139 ratings
The Anatomy of Story
by John Truby • 2007
The organic alternative to formula: how character, plot, and theme grow from a single premise's DNA.
4.25
7k+
The Anatomy of Story Summary
The Anatomy of Story 88%
The organic alternative to formula: how character, plot, and theme grow from a single premise's DNA.
by John Truby 2007
4.25
7k+ ratings
The Twilight Saga Breaking Dawn Part 1
by Mark Cotta Vaz • 2011
Designs, stunts, prosthetic wolves: a backstage pass to the Twilight film's most impossible scenes.
4.29
267k+
The Twilight Saga Breaking Dawn Part 1 Summary
The Twilight Saga Breaking Dawn Part 1 88%
Designs, stunts, prosthetic wolves: a backstage pass to the Twilight film's most impossible scenes.
by Mark Cotta Vaz 2011
4.29
267k+ ratings
Save the Cat!
by Blake Snyder • 2005
Fifteen beats, forty cards, and one rule to make your hero likeable on page ten.
4.01
22k+
Save the Cat! Summary
Save the Cat! 88%
Fifteen beats, forty cards, and one rule to make your hero likeable on page ten.
by Blake Snyder 2005
4.01
22k+ ratings
Memo from the Story Department
by Christopher Vogler • 2011
How myths, archetypes, and vaudeville timing built the architecture of every great screenplay.
4.16
171
Memo from the Story Department Summary
Memo from the Story Department 88%
How myths, archetypes, and vaudeville timing built the architecture of every great screenplay.
by Christopher Vogler 2011
4.16
171 ratings
The 101 Habits of Highly Successful Screenwriters
by Karl Iglesias • 2001
101 screenwriters reveal the habits that separate careers that sell from ones that stall.
3.87
479
The 101 Habits of Highly Successful Screenwriters Summary
The 101 Habits of Highly Successful Screenwriters 88%
101 screenwriters reveal the habits that separate careers that sell from ones that stall.
by Karl Iglesias 2001
3.87
479 ratings
The Actor's Guide to Creating a Character
by William Esper • 2014
William Esper's Meisner: build a character through playable actions, not emotional guesswork.
4.59
200
The Actor's Guide to Creating a Character Summary
The Actor's Guide to Creating a Character 88%
William Esper's Meisner: build a character through playable actions, not emotional guesswork.
by William Esper 2014
4.59
200 ratings
Business and Entrepreneurship for Filmmakers
by Charles Haine • 2019
Film schools teach craft, not cashflow. The business skills every working filmmaker actually needs.
4.00
5
Business and Entrepreneurship for Filmmakers Summary
Business and Entrepreneurship for Filmmakers 88%
Film schools teach craft, not cashflow. The business skills every working filmmaker actually needs.
by Charles Haine 2019
4.00
5 ratings
Invisible Ink
by Brian McDonald • 2010
Forget formulas: the deep craft of story is a hidden framework of theme, pain, and dramatic irony.
4.38
2k+
Invisible Ink Summary
Invisible Ink 88%
Forget formulas: the deep craft of story is a hidden framework of theme, pain, and dramatic irony.
by Brian McDonald 2010
4.38
2k+ ratings
Screenwriters Problem Solver How To R
by Syd Field • 1998
Ten ways a screenplay breaks, and the concrete fix for each.
3.82
373
Screenwriters Problem Solver How To R Summary
Screenwriters Problem Solver How To R 88%
Ten ways a screenplay breaks, and the concrete fix for each.
by Syd Field 1998
3.82
373 ratings
Selling a Screenplay
by Syd Field • 1989
Three acts, two plot points, one rule: decide your ending before you write your opening.
3.70
91
Selling a Screenplay Summary
Selling a Screenplay 88%
Three acts, two plot points, one rule: decide your ending before you write your opening.
by Syd Field 1989
3.70
91 ratings
Write It, Pitch It, Sell Your Screenplay
by DMA/Donna Michelle Anderson • 2015
The story framework and pitch strategy industry insiders expect, from a former script evaluator.
4.50
8
Write It, Pitch It, Sell Your Screenplay Summary
Write It, Pitch It, Sell Your Screenplay 88%
The story framework and pitch strategy industry insiders expect, from a former script evaluator.
by DMA/Donna Michelle Anderson 2015
4.50
8 ratings
Now Write! Screenwriting
by Sherry Ellis • 2010
Screenwriting taught by doing: exercises from working writers that build what theory only describes.
4.09
116
Now Write! Screenwriting Summary
Now Write! Screenwriting 88%
Screenwriting taught by doing: exercises from working writers that build what theory only describes.
by Sherry Ellis 2010
4.09
116 ratings
Action
by Robert McKee • 2022
Excitement on page and screen has rules. The villain’s scheme, not the spectacle, is its engine.
4.29
126
Action Summary
Action 88%
Excitement on page and screen has rules. The villain’s scheme, not the spectacle, is its engine.
by Robert McKee 2022
4.29
126 ratings
Dialogue
by Robert McKee • 2016
Dialogue is action, not conversation. The real meaning lives in what characters won't say.
4.32
2k+
Dialogue Summary
Dialogue 88%
Dialogue is action, not conversation. The real meaning lives in what characters won't say.
by Robert McKee 2016
4.32
2k+ ratings
The Kickstarter Handbook
by Don Steinberg • 2012
Your Kickstarter succeeds on 30 days, a video, and the crowd you build beforehand. The playbook.
3.74
133
The Kickstarter Handbook Summary
The Kickstarter Handbook 88%
Your Kickstarter succeeds on 30 days, a video, and the crowd you build beforehand. The playbook.
by Don Steinberg 2012
3.74
133 ratings
Cinema Speculation
by Quentin Tarantino • 2022
How a child snuck into adult movies in 1970s Los Angeles and came out a filmmaker.
4.04
15k+
Cinema Speculation Summary
Cinema Speculation 88%
How a child snuck into adult movies in 1970s Los Angeles and came out a filmmaker.
by Quentin Tarantino 2022
4.04
15k+ ratings
Writing for Emotional Impact
by Karl Iglesias • 2005
Only ink on the page. Emotional techniques for making a script reader feel what movie would.
4.27
710
Writing for Emotional Impact Summary
Writing for Emotional Impact 88%
Only ink on the page. Emotional techniques for making a script reader feel what movie would.
by Karl Iglesias 2005
4.27
710 ratings
Understanding Exposure
by Bryan Peterson • 1990
Your camera knows light. Master its three controls and it finally listens to your vision.
4.33
7k+
Understanding Exposure Summary
Understanding Exposure 87%
Your camera knows light. Master its three controls and it finally listens to your vision.
by Bryan Peterson 1990
4.33
7k+ ratings
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