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SoBrief
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Write It, Pitch It, Sell Your Screenplay
by DMA/Donna Michelle Anderson • 2015
The story framework and pitch strategy industry insiders expect, from a former script evaluator.
4.50
8
Write It, Pitch It, Sell Your Screenplay Summary
Write It, Pitch It, Sell Your Screenplay 98%
The story framework and pitch strategy industry insiders expect, from a former script evaluator.
by DMA/Donna Michelle Anderson 2015
4.50
8 ratings
The 101 Habits of Highly Successful Screenwriters
by Karl Iglesias • 2001
101 screenwriters reveal the habits that separate careers that sell from ones that stall.
3.87
479
The 101 Habits of Highly Successful Screenwriters Summary
The 101 Habits of Highly Successful Screenwriters 97%
101 screenwriters reveal the habits that separate careers that sell from ones that stall.
by Karl Iglesias 2001
3.87
479 ratings
Action
by Robert McKee • 2022
Excitement on page and screen has rules. The villain’s scheme, not the spectacle, is its engine.
4.29
126
Action Summary
Action 97%
Excitement on page and screen has rules. The villain’s scheme, not the spectacle, is its engine.
by Robert McKee 2022
4.29
126 ratings
Memo from the Story Department
by Christopher Vogler • 2011
How myths, archetypes, and vaudeville timing built the architecture of every great screenplay.
4.16
171
Memo from the Story Department Summary
Memo from the Story Department 97%
How myths, archetypes, and vaudeville timing built the architecture of every great screenplay.
by Christopher Vogler 2011
4.16
171 ratings
The Story Solution
by Eric Edson • 2012
The 23-step structural blueprint that turns a screenplay into an emotional ride.
4.32
222
The Story Solution Summary
The Story Solution 96%
The 23-step structural blueprint that turns a screenplay into an emotional ride.
by Eric Edson 2012
4.32
222 ratings
Writing Movies for Fun and Profit
by Robert Ben Garant • 2011
Screenwriting is a blue-collar job: relocate, pitch constantly, and never turn down a rewrite.
3.95
2k+
Writing Movies for Fun and Profit Summary
Writing Movies for Fun and Profit 96%
Screenwriting is a blue-collar job: relocate, pitch constantly, and never turn down a rewrite.
by Robert Ben Garant 2011
3.95
2k+ ratings
Screenwriting Is Filmmaking
by Brian Dunnigan • 2020
Write screenplays that think like a camera: the craft of making films from the page up.
3.33
3
Screenwriting Is Filmmaking Summary
Screenwriting Is Filmmaking 96%
Write screenplays that think like a camera: the craft of making films from the page up.
by Brian Dunnigan 2020
3.33
3 ratings
Super Structure
by James Scott Bell • 2015
Your story's midpoint holds the key. A flexible framework of beats for outliners and pantsers alike.
4.40
942
Super Structure Summary
Super Structure 96%
Your story's midpoint holds the key. A flexible framework of beats for outliners and pantsers alike.
by James Scott Bell 2015
4.40
942 ratings
The Anatomy of Genres
by John Truby • 2022
Genres are philosophies disguised as story types. Crack the beats and you crack writing and life.
4.21
607
The Anatomy of Genres Summary
The Anatomy of Genres 95%
Genres are philosophies disguised as story types. Crack the beats and you crack writing and life.
by John Truby 2022
4.21
607 ratings
Million Dollar Outlines
by David Farland • 2013
An outlining method that pressure-tests your plot, designed to sell a novel on proposal.
4.16
844
Million Dollar Outlines Summary
Million Dollar Outlines 95%
An outlining method that pressure-tests your plot, designed to sell a novel on proposal.
by David Farland 2013
4.16
844 ratings
Story Physics
by Larry Brooks • 2013
Great stories aren't magic. They're physics. Once you know the laws, broken drafts fix themselves.
3.92
475
Story Physics Summary
Story Physics 95%
Great stories aren't magic. They're physics. Once you know the laws, broken drafts fix themselves.
by Larry Brooks 2013
3.92
475 ratings
How to Write a Damn Good Thriller
by James N. Frey • 2010
From villain to climax, the essential rules for a thriller that readers cannot put down.
3.79
321
How to Write a Damn Good Thriller Summary
How to Write a Damn Good Thriller 95%
From villain to climax, the essential rules for a thriller that readers cannot put down.
by James N. Frey 2010
3.79
321 ratings
Aristotle's Poetics for Screenwriters
by Michael Tierno • 2002
The screenwriting manual hiding inside a 2,300-year-old Greek text, decoded for your next draft.
3.84
639
Aristotle's Poetics for Screenwriters Summary
Aristotle's Poetics for Screenwriters 95%
The screenwriting manual hiding inside a 2,300-year-old Greek text, decoded for your next draft.
by Michael Tierno 2002
3.84
639 ratings
The Secrets of Character
by Matt Bird • 2022
Plot draws them in. Hero keeps them there. A character-first toolkit for the opening ten.
4.10
278
The Secrets of Character Summary
The Secrets of Character 95%
Plot draws them in. Hero keeps them there. A character-first toolkit for the opening ten.
by Matt Bird 2022
4.10
278 ratings
Dialogue
by Robert McKee • 2016
Dialogue is action, not conversation. The real meaning lives in what characters won't say.
4.32
2k+
Dialogue Summary
Dialogue 95%
Dialogue is action, not conversation. The real meaning lives in what characters won't say.
by Robert McKee 2016
4.32
2k+ ratings
Writing for Emotional Impact
by Karl Iglesias • 2005
Only ink on the page. Emotional techniques for making a script reader feel what movie would.
4.27
710
Writing for Emotional Impact Summary
Writing for Emotional Impact 95%
Only ink on the page. Emotional techniques for making a script reader feel what movie would.
by Karl Iglesias 2005
4.27
710 ratings
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